Wednesday, March 18, 2015

JOHNNY MNEMONIC (1995)

I've heard some pretty negative things about this film over the years.  That's probably why it's taken me 20 years finally watch it.  So...were all of those negative comments accurate?  Yeah, pretty much.

Set in the year 2021, Johnny is a data courier who stores data in his 80 gigabit hard drive enhanced brain. On the way to meet a customer in Beijing, he uses a "doubler" to increase his capacity to 160GB. Unfortunately, the package is 320GB so Keanu concentrates really hard and crams that 320GB into the 160GB hard drive.  As a result the data starts "seaping" into his brain and causing him to react violently to bright lights...just like a Mogwai.  Even worse, is right after he downloads the package a group of hitmen bust in and start killing everybody (one of the killers uses a thumb laser lasso!).  Johnny escapes and now the gangsters are after him.  The only person that can save him is a cyborg dolphin in New Jersey. Of course.

I was hoping that JOHNNY MNEMONIC would surprise me and be actually good or maybe silly to the point of being funny.  Sadly though, it's so bland that it's difficult to have much of an opinion about it one way or the other.  The story comes off more confusing than it actually is, the future looks like shit, the CGI is ridiculous, zero nudity, TV show level action scenes, Henry Rollins as a doctor, an "eye phone", Keanu Reeves acting like he just saw the lines for the first time 30 seconds before they yelled "Action".

Good for a few chuckles, but honestly, outside of morbid curiosity or campy train wreck thrills I can't think of much reason to waste your time watching this movie.

TWENTIETH CENTURY (1934)

"She loves me. I could tell that through her screaming."

Egomaniac Broadway director John Barrymore discovered and created Lily Garland. They become lovers, but after three years of his psychotic jealousy she splits for Hollywood and becomes a huge movie star. Back in New York, Barrymore has had nothing but flop after flop. He's desperate for a hit and deeply in debt when, during a train trip, he discovers that Lily Garland is in the very next cabin! Nothing in the world will stop him from signing her to his next play...that he hasn't even written yet.

I cannot say enough great things about this movie. There is just so much energy blasting off the screen you can't help but get pumped up just watching it. Pretty much the entire movie is just people screaming at each other. I'd be hard-pressed to think of another screwball comedy with so much non-stop screaming. Even after dozens of viewings I still grin ear to ear watching Barrymore's antics.

If you look on IMDb it has a couple of writers credited for the screenplay and one uncredited Preston Sturges. I'm curious just how much of the dialogue was actually written by Sturges cause it really has that rapid fire, everybody-screaming-at-once quality that he's so good at.

The other great thing is the cast. Everybody is perfect, especially John Barrymore. He's amazing, but Carole Lombard is right there with him toe-to-toe the entire movie. She's wonderful.  In fact, I think both of them are more deserving of the acting Academy Awards than Gable or Colbert were from IT HAPPENED ONE NIGHT.  Best Picture also.  I really like IHON a lot, but TWENTIETH CENTURY is better.  It's a pure joy from beginning to end.  I cannot recommend it enough.  All fans of classic Hollywood should have a copy in their collection.
 Gigi Parrish was fine as Hell!  See...even John Barrymore agrees with me: